First, the camera doesn’t have any type of monitoring outside of its 4-inch touch screen. The URSA Mini Pro 4.6K, depending on your use, will require you to spend a little more money making the camera work for you. Things like an electronic viewfinder (EVF) and shoulder mounting solution - or what lens mount you need - will change what kind of money you’re going to spend. Before you think of buying any camera, let alone this one, know what accessories you’ll need to make your camera work for your needs. Although the sensor is different on the 4K version, these cameras give you more or less features depending on what you spend.īlackmagic Design is known for their workflow solutions their cameras are no different. It has two XLR inputs with phantom power and is available in different lens mounts.īlackmagic Design now offers three different URSA Mini models: The URSA Mini 4K, the URSA Mini 4.6K and now the URSA Mini Pro 4.6K. Along with new external controls, you’ll get built-in two, four and six-stop ND filters and the ability to capture on either CFast 2.0 or SD cards and output via the camera’s 12G-SDI output with timecode and REF input. You can capture either 12-bit CinemaDNG or ProRes up to 444 QT. The URSA Mini Pro 4.6K has a Super-35mm CMOS sensor and shoots resolutions up to 4.6K (4,608 x 2,592) at up to 60 frames per second (fps).

With the URSA Mini Pro 4.6K, you get ND filters, external controls and SD card capture. It was just a few years ago, when the full-sized URSA hit the market and Blackmagic Design has been taking notes on what works and what doesn’t. It has a bunch of new features not offered on the URSA Mini 4.6K, the previous URSA Mini model. The newest iteration is the URSA Mini Pro 4.6K. Blackmagic Design has come a long way with the URSA cinema camera line.

Blackmagic ursa mini